Friday, October 3, 2025

Emotional Weather

The Hurricane (John Ford, 1937)




Passion (Jean-Luc Godard, 1982)



In reflecting upon the passage of time I take a little side quest to consider the gradual if not to say glacial transformation of an animate soul into some other thing that consummates either the bliss or the ruin of its lived existence by way of a climactic or anti-climactic death, all but certain. If change is happening gradually but also all day long everyday, there might very well be separate tempos operating here. People with mood and mental health disorders might be especially well situated to start charting topographical seasons of mood over the long haul (in the manner of Friedrich Nietzsche). I had a psychiatrist who felt absolutely swamped in the fall as all his patients started coming in with debilitating depressions. It is in the overall mood set-up of an individual and the broader-range mood patterns that we might recognize something like climate, whereas the fluctuations and turbulence of daily emotions and psychic states testify to the bracing immediacy of all kinds of different local weather. I am more inclined to think that so-called ‘empaths’ and people with one degree or another of extrasensory perception might be more appropriately conceptualized as “weathervanes.” As a molecular, earthly creature fielded in cosmological opacity and existential groundlessness, the weathervane knows one thing for sure that we can articulate without too much difficulty: The weathervane experiences within it what it also knows is going on around it. If you want to work on your mood and your mind states it is definitely advisable that you practice active awareness daily, intransigently, even when looking at the world around you is once big colossal toothache . 

The reality of human life on earth: a growing baroque mess typified above all in the field of Homo sapiens by robotic busyness and gestural reproductivity plus panicked insularity and bitter defensiveness. There is no change because change has no fresh network to plug into. You can’t be hasty or impatient. We can thank Slavoj Žižek for the gentle reminder that it is after all possible that the actual victory of the Arab Spring of late 2010 just hasn’t arrived yet. In his last couple books philosopher, activist, and minor European media celebrity Franco ‘Bifro’ Beradi repeatedly comes close to inadvertently producing a new ‘binary apparatus' of which we ourselves should feel no need to make use. In bemoaning the total dissolution and pan-institutional calamity of 21st century human life, Berardi points to pandemics of depression (addiction, suicide, declining birthrates) and psychosis (mass shootings, political hysteria, xenophobic violence). We cannot argue that these are not prevailing trends. We all know it to be so. The implication is that those who lean to the left of centre will statistically be more depressive-tending and those on the right of the spectrum will tend statistically to being less or more psychotic. Alas, anybody who is living with me on the actual surface of the earth right now—to an approximation of an inch—knows there’s more colours and noise than that in the tempestuous weather out here. I see the overall situation as atomized rather than polarized. We are living in the story of the Tower of Babel and paralysis will not get us to safety. 


For philosopher Byung-Chul Han in his 2017 book The Scent of Time, just as the nose might catch a whiff of something and instantaneously make close contact with the vivd and pulsing eternal singularity of the thing in question, the critical eye “goes easy on things.” What do you bring to the table every workday if not your very sensory-motor equipment? Oughtn’t we be mindful of and tend to our gear? The cumbersome nature of the body and of our perceptual equipment means that we are all sort of potential threats to ourselves and others every day. We get to make mistakes because we don’t get not to make them. “A crowd of facts came upon me with accompanying pressure in the chest,” observes the ever-pressurized bipolar maven Henderson in Saul Bellow’s 1959 novel Henderson the Rain King. And here with its bravura closing bisexually-coloured hazes, from our dear Percy Shelley [hash smoker], along with James Deen our ultimate brooding emblem to rude fate courted:


The hurricane came from the west, and passed on

By the path of the gate of the eastern sun,

Transversely dividing the stream of the storm


That’s from “A Vision of the Sea.” I think it means that sometimes you reap the whirlwind...and the other way around. Wait a second...I think I'm a little confused here...


This was never supposed to be about the complementarity of opposites!