Duck, stab, back in baby's arms...

Some films wierz thought about a lot when shooting the music video for "Into the Inn" that are not on the list of films on the Tape, in addition to JLG's Alphaville and Cronenberg's Shivers, were Cronenberg's Crash [Gardiner Expressway] and we hope obviously Renoir's La chienne [!!!]. Naturally, wierz thinks endlessly about movies during his inhabitance of this corporeal 'snapping turtle' personage, current...in the electrical engineering sense...

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Persistently, the main thing that could not escape wierzmeditations when cutting the Official Music Video to "Into the Inn" was Hollis Frampton's Zorns Lemma.

Berlin Rave Girl 86 notes: it’s spader/ballard who’s kinda the ‘chienne’ in crash

ergo, 'the bitch'

In a sense we at ANTHROPOTECH think articulated altogether clearly by Deleuze and Guattari, many of Jean Renoir’s films of the 30s (especially La chienne and ‘36’s Monsieur Lange, both largely neglected), end up centring around curious underground ‘social machines’ for the production of art objects.