Friday, June 26, 2026

A Word from Christian Todd Richardson

 



for Stanley Elkin 


My name is Christian Todd Richardson, a preacher from Northern Alberta, Canada, near them tar sands, you understand, and I’m only hard on sinners. Those who have been saved skate until they’re once again out sinning and doing invidious abuses against God’s very brightest and most sacrosanct ideals. But guess what, folks?! I’m the most mercurially redeemed of all the very worst of the sinners, and I know this because my wife remains extremely engaged and angelic during our dinner debates about germ warfare and school zoning and the like, the kids running around the table legs like rampaging warthogs, shimmering gold cosmic dusts enshrouding her, all peach and unthreatening Walt Disney mystery. The living cost of God is living in the lap of God and eating of the Flesh of his Son. The mystery of the crucifixion is why anyone would stand there and watch it happen under that hot sun. They say that the great Hollywood studio mogul Louis B. Mayer used to beg and plead and snivel in order to make business deals and that for him everything was a business deal. I can buy it. That is what supplication before God has got to look like, folks, begging for eternal pulverizing light…in your face like its time to get the books from the blue shirts…just like little Joan of Arc in her armour and boy’s haircut showed us…dying awfully, admittedly. Supplication is less about asking for something than it is about having your spiritual, inside face squashed to sensorial satisfaction like a wriggling grape of wrath. Civilization is cratering and the earth, sirs and mesdames, is atremble—has been since the Protestants and the 16th-century religious wars that turned Europe into an upturned trough and led to rebellions in the British Isles. God doesn’t care until in his enveloping divinity he does so, spurred by whatever reason or drive. There is an old parable about how when the rescue boats come, that is the Sanctified Divinity saying hi. One time I was lost in nature, the situation becoming increasingly dire, and a white horse with a grey saddle just came along out of nowhere. The horse told me to get on and, oh, Lord of Lords, you know I did. The thing about being much more terrified than anybody ever gets terrified normally is that you’re expecting for sure to die and just hope the physical sensations don’t persist too long. God and His Godchild the Christ approve. Can I have an amen from the viewers at home?! Be there in the terror and the flavourful waking nightmare to feel the full fury of the Divine Light. Say to the Lord: Wow, what the heck?! I had to prepare for Destiny by getting back up when the population density of demons dropped me as though it were hot. Calgary, city of snivelling, craft brew wraiths and careerist ingrates. I had to walk at death like Edgar Allan Poe, wanting to have a stern word with it on the wharf. I had to get lost in the barrens. A redeemed Christian is like a worn keepsake, hold it close and it will make no mistake, floating on the lake next to an ice skate. Place your Christian on the mantle and stare it down until it is bedtime. The Master Race was the Aztecs and nobody’s ever going to be forgiven for the cessation of their plentitude and civilizing, least of all the Green Bay Packers. Right? Wrong? Indifferent? Legendary Packers coach Vince Lombardi was an aggressive anti-segregationist during the Civil Rights Era. People shoot people and people is people. You love them all the more for being dopey and scattered. They say that the Ancient Babylonians called intelligent design or simulated reality something that roughly translates as “Cosmos,” and it has something to do with perspective and pictorial distortion, the not knowing where you are or why you are being the whole reason that you are here. When I was in the seminary they made fun of me for having argyle socks that ran up to my wrinkly knees. I showed them and went and became a preacher and Himalayan adventurer. The Lord works in mysterious ways. Gimme that amen I know you got in you. Alright, that about sums up that...



Poem for Naval Sea Systems Command




Go and espy what the chasm might upload

Oh, oh, Mariner Joe

You have a long ways in sea-time yet to go…


A thresher is a piece of agricultural equipment 

That separates the seed from the stalks

Use became widespread in the early 1800s 

Countless grisly accidents occurred;

Mechanization took hold

The Occident got waylaid and old.


The USS Thresher, America's first nuclear submarine 

Was lost at sea, one-hundred-twelve sailors 

And seventeen shipyard workers

Gone on April 10, 1963—the sea, the sea, the blimey

Our Lady Thresher…imploded during deep-dive…


There is nothing to the enucleation of the eyeball 

A new dance from the South of France

Where nothing is off but then you politely cough

Meanwhile doing the foxtrot in your store-boughts.


To all foreigners who descend from foreign lands 

Your land was always this one 

And you just don’t understand

Every snaked-eyed neighbour has got to 

Shake they boss hand, upstanding in grandstand

Decamping with sock puppet to Maryland 

Sot-weed factor country, curdled milks and zinc honeys.


The last time I got this horribly lost 

I found myself awaking nailed to a fishmonger’s cross

Wearing as a necklace a live albatross 

Selling this crummy halibut and not giving a bloody toss.



Thursday, June 25, 2026

Five Line-Readings: Manly Cinematographic Signs of Life



When I was writing all those unwieldy essays on the social media site Goodreads, tagging the side of the somnambulist literary establishment like a phantomic Graffiti maverick, or so I imagined, the run-off added up to a manuscript of nearly 400 pages and boy oh boy was it a hot mess. However, during that protracted period of funnypages prurience and caffeinated mayhem I came to a powerful realization about the five juiciest lines uttered by male actors in American movies, from hilt to kilt: 1) in sublime 1941 romantic comedy The Strawberry Blonde, featuring top-ever performances from James Cagney and Olivia de Havilland, Cagney says, indignantly, "Well, that's the kind of a hairpin I am!"; 2) in Dennis Hopper's extremely surprising 1969 blockbuster Easy Rider, a dying Peter Fonda, lying by the roadside, says: "You know, Billy. We blew it," and he says so 'cause they sure as shined snakeskin boots done did so, don't get confusin' yourself; 3) at the end of 1974's Cockfighter by Monte Hellman, Warren Oates places the severed head of a fighting rooster in the hand of his horrified beloved, causing the poor lady to run off in disgust and indignation, then shortly thereafter says to his assistant, proud as a cock, having been intentionally mute for the vast majority of the picture 'cause of he previously humiliated himself running his mouth: "She loves me, Omar"; 4) in 1981's Cutter's Way, the alcoholic Vietnam vet and amputee played by John Heard, asked why he isn't getting wasted and combusting in the aftermath of the suspicious death of his common law partner, says: "Tragedy, I take straight"; 5) in Quentin Tarantino's 1997 jewel of a picture Jackie Brown, Samuel L. Jackson says to Robert De Niro before shooting him in a stationary vehicle, with a mere huff: "Our ass used to be beautiful."     



The Tall Coiled Sorcerer and the Morose Greengrocer



Winslow Homer, Eight Bells, 1887


The tall coiled sorcerer and the morose greengrocer

Made a date to eviscerate a marmoset 

That had not paid his dang grocery bill yet;

Those caught watching from the street corner 

Were entirely fascinated by the morose greengrocer.


In the insidious plots of the haves and have-nots

Two dollops of thought can go a long way

T’ward permanently boxing the seat of the plot;

If your instinct is that your instinct is right

Then go ahead and fly your sky-blue kite.


You put a heap of chaos with just a little order

Suddenly regular citizens think they’ve

Sorted the disorder, got it backed into a corner

But the jeering meanness rolling back up at you

Is simply the Universe and you're not its keeper.



Wednesday, June 24, 2026

All is Well

 

All is well, I'm trying to take a short break...



Saturday, June 20, 2026

1976 Motion Picture Dish




The foremost motion picture that is an exact genetic splice of exactly two previously distributed motion pictures on the public record is John Carpenter's Assault on Precinct 13, which is a clean and mean genetic splice of Howard Hawks's Rio Bravo and George A. Romero's Night of the Living Dead. Don't knock it 'til you've rock-a-cock-cuck-cocked it. Bird is the wüürd, sailor.



Jason Philip Wierzba presenziz 

The Trashmen playin' "Surfin' Bird"