Sunday, February 8, 2026

Kelvin


 

Panic in Needle Park (Jerry Schatzberg, 1971)


The Bad Lieutenant (Abel Ferrara, 1992)


I have known Kelvin now for a little over a decade. We went to the same Monday night A.A. meeting for a number of years and originally he had two more years sober than me, not that my own track record has been all that squeaky clean (after a healthy stretch of seven straight years, one day at a time, don't ask me to elaborate). Neither Kelvin nor I handled COVID great, ultimately, and neither of us regained his proper footing in the immediate aftermath. The condition is groundlessness. I didn’t see Kelvin much during the last half of this past year and knowing what that would tend to indicate I could not help but fear the worst. I don’t think I’ve ever told anybody this, but once Kelvin came into the homeless shelter were I was assistant supervisor back in the day, deep into an obviously gruelling crack binge, and he acted contemptuous of me when I offered him my own sandwich, subsequently acting contemptuous of the very idea of his wife and daughter and their existence when I brought them up, trying to assess the scale of the calamity right in front of me. It was the nastiest show you could ever want to see some loathsome, disreputable creep stage publicly. This is the man who taught me the fundamentals of fly fishing and gushed openly and often of his wife and daughter who I saw very clearly as people Kelvin loved with the deep and simple devotion of a normal, decent man. To fuck it all up monumentally? Simply throw in a Ziplock full of crack rock. Kelvin was at the meeting last night for the first time in ages, definitely still in post-acute withdrawal though I was very pleased to see him counted still among us the sour and cantankerous living, here as we are to nurture, however boorish and bothersome we may at times be in our untimely ministrations. Kelvin had gone out on crack and booze agin and was couch surfing currently. I took him and bought him a sausage roll at a place I know and put the screws to him real blunt-like. Okay, fess up, kid, what the fuck happened this time? Are you not yet already sufficiently smeared across the tarmac? In answer to this question, Kelvin, nobody’s idea of an intellectual, said as wise and true a thing as has ever been said on the subject of relapse, brevity being one of the statement's main selling points. He said: “the obsession came back.” A blue bolt shot downward through my spine. Then Kelvin told me a story about how just before Christmas he was driving in his car with a drug dealer to whom he owed a considerable amount of money. Stopped at a freshly-red light at 17th Ave. and 14th St. SW, Kelvin had turned his keys and pink slips over to the dealer and just started walking directionless through the snow in a hoodie and beat-up sneakers. I was of several minds respective of the fact that Kelvin told this story in a cheerful and upbeat manner that obviously couldn't do much to eclipse how nightmarish the actual experience would have had to have been (and I’ve had similar, alas). These impossible goddamn addicts, am I right? They’d snort and chortle at the fucking gallows.

Saturday, February 7, 2026

Top Ten Rock Albums in Chronological Order

Rock 'n' roll music, any old way you chose it, is one of the things I know I will miss when I'm on my way out. I love it, and have from the beginning, even its attractive imbecilities.

- Alexander Theroux, The Grammar of Rock


Bo Diddley, Have Guitar Will Travel (1960)



Kinks, The Kink Kontroversy (1965)




Creedence Clearwater Revival, Bayou Country (1969)




X, Wild Gift (1981)




Neil Young and Crazy Horse, Re·ac·tor (1981)




Meat Puppets, Meat Puppets II (1984)




Royal Trux, Twin Infinitives (1990)




The Dead C, Harsh 70s Reality (1992)




Jim O'Rourke, Insignificance (2001)




Lambchop, FLOTUS (2016)






Royal Trux, "Ice Cream"







Xs and Os to all of my hoes! 💪💫 

















Sunday, February 1, 2026

Ten from the Popular American Counterculture (1966-1971)

First of all, I had no choice but to be independent in my life because I wasn’t happy with my life. I wanted to change it. And that carried over into everything: how I lived my life, how I found my jobs or education. When I came to making movies, there was this streak in me of being counter, being against. Not for, but against something. And I was against Hollywood.

Bob Rafelson


Brewster McCloud (Robert Altman, 1971)


Little Murders (Alan Arkin, 1971)


Two-Lane Blacktop (Monte Hellman, 1971)


Hi, Mom! (Brian De Palma, 1970)


Zabriskie Point (Michelangelo Antonioni, 1970)


Taking Off (Miloš Forman, 1971)

Cult of the Damned (Robert Thom, 1969)


Head (Bob Rafelson, 1968)

Skidoo (Otto Preminger, 1968)


Easy Rider (Dennis Hopper, 1969)



Captain Beefheart and His Magic Band, "Dropout Boogie"


Erlton, Calgary, February 1, 2026







Friday, January 30, 2026

Navigable Space

 

Hitler: A Film from Germany (Hans Jürgen Syberberg, 1977)


Level Five (Chris Marker, 1997)


Aggro Dr1ft (Harmony Korine, 2023)



Nobody rocks the cock like Cyndi Pinziki!
- Nora Dunn in Southland Tales (Richard Kelly, 2006)


Crystallizing gradually into a human thing, stumbling like a bull in a china shop through the Anthropocene, we were first of all errant sense-perception inadvertently let loose on solid rock in tennis shoes and bright white socks. Early man is reported to have had consistent difficulty determining if something was moving toward him or he toward it. The big breakthrough in Analytical Philosophy is we're all playing war games as soon as we're able to imagine what's around the corner (and probably enraged).

If you start to think about it, immersive 3D virtual reality simulators are far less virtual than your own diaphanous consciousness, locked up somewhere tight and to detection impervious. My phenomenological method is: I don't know what that thing is, give me a minute. There are for sure going to be new topographies to navigate and we do not yet know the language for them. Thebes. Bathing in the blood of the lamb.  

From the standpoint of psychology and neuroscience, navigable space relates to the creature's mental representation of the environment while moving through it, wayfinding and locomotion. In relation to video games, navigable space relates to increasingly complex navigable topographies that are frequently non-Euclidean. Spinoza said that we do not yet know of what a body is capable and I would be inclined to argue that the same could be said for the fanciful places we might sequester that body. There is no hell and damnation for bodies. There are only the worms. And the teeming talkative flies of Maurice Blanchot's The Most High.  



Ready Player One (Steven Spielberg, 2018)



Jason Philip Wierzba, The Navigable Space EP

  







Thursday, January 29, 2026

Twelve Facts About the Ailing Author

 


1. I am the rabbit.

2. If you are not friendly or kind to me or others in the vicinity it is probable I will lash out at you and I'm aware that's somewhat paradoxical.

3. The male actors I always related to most as a young man were Edward G. Robinson and Warren Oates, which even I know is extremely weird.

4. It is true that at about thirteen or fourteen I was starting goaltender for the team that won the Alberta Hockey Provincial Championship...in the bottom division. Did you know that in hockey the starting goaltender is roughly equivalent to the starting quarterback in American football? The first rule of goaltending is: keep your eye on the movement of the players in relation to the puck. When you start to look at the rest of the lifeworld that way you begin to see people for the dung beetles they truly are.

5. I must have some relatively mild variant of pica because as a kid I loved eating dirt, sand, and grass, enjoying frequently also the pleasures of a good sucking rock, like Beckett's Molloy in his exaggerated frenzy of directionlessness. When I started to get a little older I became much more likely to cut to the quick and just cut myself.

6. The best concert I ever attended was Charlie Haden's Quartet West at Calgary's Knox United Church back in the days when I was good and fucked up every damn day on the beleaguered calendar, though that did not serve in this instance to undermine my recollection. It was a divine performance and the acoustics were extrasensory. They did a super long version of Ornette Coleman's "Lonely Woman" and I cried through most of it.          

7. I've been telling friends and gas station attendants that Quentin Tarantino's final film as a director of feature length theatrical movies should be about sex-workers in the Old West. His McCabe & Mrs. Miller, if you will. 

8. My highly innovative approach to guitar means that all-too-regularly douchebags insist I'm inept. Buddy, it takes supernatural groundedness and much study to hit it this inept. When Thomas Merton was asked what he learned from Buddhism, he replied: "How to be a better Christian." 

9. Gary Snyder has always been my favourite among the hallowed "Beat poets." The critic Richard Tillinghast wrote that Snyder possesses “a command of geology, anthropology and evolutionary biology unmatched among contemporary poets.” Exactly!

10. What I am right now today in my basement most excited about is Radiance's recent super sexy twin releases of Blu-rays for Luchino Visconti's Le notti bianche (1957) and Robert Bresson's Une femme douce (1969). Perfect for the ever-lurking Dostoevsky stan in your life.

11. I love Jennifer Jason Leigh a lot and believe her to be one of the very finest screen actresses of all time, along with the likes of Greta Garbo and Simone Signoret, but I'll confess I got a little cross with her when on a accompanying special feature for a Blu-ray of the great and inexhaustible Miami Blues (1990), Leigh, female lead, asserts that the film in question was the director George Armitage's debut in that capacity. Actually, he had already directed four low-budget features by that point. Yowza.

12. I was thirteen when I first got good and drunk. We were in the country and I was hanging out with some sixteen-year-old boys who had drivers' licences. One of the boys called the little general store in Priddis and said he was sending his son to grab some alcoholic spirits and would she please accommodate, after which another boy was dispatched to go grab the haul. We drank it down with panache. Shortly thereafter, the older boys started getting sick and throwing up while I went rifling inquisitively through my friend's parents' liquor cabinet. Following the underwhelming climax of our hella sloppy revelries, I returned home and quietly watched a little bit of Saturday Night Live...with my parents.   


Edward G. Robinson in The Whole Town's Talking (John Ford, 1935)


Warren Oates in Cockfighter (Monte Hellman, 1974)




    

  


Wednesday, January 28, 2026

At Rest, 2026

I think a person making a film should try not to control what it says, except on the level of dramatic pleasure. One should let things happen, through a kind of “écriture automatique.” A film is like a plant—you have to let it grow by itself, you have to respect that kind of biological rhythm.

- Alain Resnais


I had gone as far as Pennsylvania and Virginia to pitch my crazy dream. Yes, some people actually looked at me like that, a crazed artist with a lofty dream. A number of times, people would be whispering in giggles as I did video presentations in their homes or offices. Some even treated me like a beggar, giving me pocket money so that I would not bother them again. That was when I met Paul Tañedo, a Filipino photography artist in Alexandria, Virginia. He liked what he saw in the 16mm black and white footage and committed to support it. It was a simple talk over coffee very early in the morning. What hooked him were the black and white shots. Beautiful. Nothing beats 16mm black and white stock 7222. The grains and depths are fiercely powerful.

- Lav Diaz


Gambling, Gods and LSD (Peter Mettler, 2002)

Liverpool (Lisandro Alonso, 2008)

The Woman Who Left (Lav Diaz, 2016)





Wierzba's Subterranean Calgary Screening Room


Bill Fay, "Who is the Sender?"

Sunday, January 25, 2026

A Few Words on Substance Use Disorders

Au hasard Balthazar (Robert Bresson, 1966)

The Blackout (Abel Ferrara, 1997)


Dear, Sir;

It is not uncommon even to this day that people will confront the addict-alcoholic with the accusation that addiction is a choice, sympathy therefore scarce. This misconception is based on a colossal error, although one does of course need to concede that the alcoholic does make a conscious choice of a kind every single time they pick up a drink or head out to score. Alas, this picture is starting to become indefensibly reduced (here's to you, silent majority). For first comes habit in due course and then comes toxic custom forcing body and mind into steep and nauseating decline, the whole central nervous system compromised by lies, distortion, and bad information. The two main symptoms of alcohol use disorders are mental obsession and physical craving...all of it leading inexorably to systems crash, pop-goes-the-weasel. When folks come to me with regard to a friend or family member whose drinking concerns them, I often recommend they ask the loved one what their first experience of getting drunk was like. For an astonishingly large number of alcoholics, myself included, the first time we got drunk was also the first time we ever felt 'okay in our own skin.' It is the position of myself and other care-motivated souls in the field that it is abominably evil to demonize those poor and broken souls constitutionally unable the escape the only thing that ever made them feel okay.